Women’s Guild, April 2015

Women’s Guild

April 16, 2015, 11:30am

We will meet for Pizza, salad and maybe a cookie or something in the Fellowship Room at 11:30 A.M. Bring a book (or a title of a book and the name of the author) which you have enjoyed to share it with the group. We hope parking spaces will be available and that the snow is long gone. Mark your calendar and plan to come. If you are in need of transportation, call the church office for help. Looking forward to seeing you.

New member meeting, April 2015

New member meeting

April 12, 2015, 11am

Would you like to join Park Avenue Congregational Church?

A meeting will be held April 12 following the worship service for those considering membership.

This will be an opportunity to learn about the United Church of Christ denomination as well as about Park Avenue Congregational Church. You are welcome here!

Please enjoy some brief refreshments at Coffee Hour and then meet with John Zehring and the membership ministry deacons in the Parlor.

Sarah’s Circle, April 2015

Sarah’s Circle

Saturday, April 11, 2015, at 10 a.m.

Our next meeting is Saturday, April 11, from 10 a.m. to 12 noon in the Fellowship Room.  Those who wish to meditate can come at 9:30. We have selected a novel (since it will be just after Easter and Passover and some folks may be strapped for time) by Anita Diamont, The Boston Girl.  It is available (but there are lots of requests for it) in the MinuteMan Library Network, and it is available in hardcover (new & used), Kindle, Audible and audio CD versions on Amazon.com.

Here is what Amazon says about this book: Addie Baum is “The Boston Girl,” born in 1900 to immigrant parents…Growing up in the North End… Addie’s intelligence and curiosity take her to a world her parents can’t imagine….She wants a career and to find true love.

Eighty-five-year-old Addie tells the story of her life to her twenty-two-year-old granddaughter. She begins in 1915, the year she found her voice and made friends who would help shape the course of her life… Addie recalls her adventures with compassion for the naïve girl she was and a wicked sense of humor.

All women are invited. Contact the church office for more information.

Evening Bible Group, April 2015

Evening Bible Group

The Evening Bible Group will meet on Wednesday, April 8 and Wednesday, April 22 at 7:30 in the Fireplace room to read and discuss The Way of Grace by John Indermark from The Upper Room’s Companions in Christ series.  The Way of Grace explores the stories of John, focusing on people who discovered God’s grace through their interactions with Jesus.  Contact the church office with question.

The Way of Grace is available from Amazon, and by placing a group order through the Book Rack in Arlington.  If you’d like a copy, contact the church office.

Faith Formation, April 2015

Faith Formation

The prayer group will meet at 9:00 in the Fellowship room on April 19. We’ll be talking about the wow chapter in Anne Lamott’s Help, Thanks, Wow. You don’t need to have attended any other sessions or have read the book– just come if you’re interested in thinking some more about prayer.

Easter at Park Avenue Congregational Church

Lenten flowers on the front door

Easter Week Services

Join us for the holy week of Easter at Park Avenue Congregational Church in Arlington Heights.  You can read about services and celebrations below.  You can get more information about the church and directions to the church on our web site.

Palm Sunday, March 29

Pancake breakfast Join us for pancakes, sausage, bacon and fruit on Palm Sunday!  The youth groups will host and serve the pancake breakfast from 8:30-9:30am in Parish Hall.  Cost is $6 for adults, $5 for children, and $20 family maximum.  All proceeds benefit the youth fund.

Worship Service Worship begins at 10:00am and includes the Blessing of the Palms as we commemorate Christ’s triumphal entry into Jerusalem.

Maundy Thursday, April 2

A Tenebrae service celebrating Jesus’ Last Supper begins at 7:30pm.  It will include Holy Communion and lessons accompanied by the gradual extinguishing of lights.

Good Friday, April 3, Calvary Church

Service of Tenebrae: A dramatic commemoration of Jesus’ last hours with scripture, candles, and music.  At Calvary Church, United Methodist, 300 Massachusetts Avenue, Arlington.

Easter Sunday, April 5

Easter Sunrise Service A community Easter Sunrise Service will be held at 6:10am at Robbins Farm Park, across Eastern Avenue from the Brackett School, to welcome the sun and the Risen  Son with prayer, liturgy, and song.  All are welcome. Co-organized by Park Avenue Congregational Church and Calvary Church, United Methodist.

Celebration of the Resurrection A celebration of the resurrection of Jesus will be held at 10:00am.  A brass quartet will join our organ and Festival Choir.  There will not be Sunday school classes.  Child care will be available for children aged five and younger.  Older children will receive activity bags.

Easter Egg Hunt An Easter egg hunt will be held after the service!

Faith and the Environment

Faith and the Environment

Sunday, April 19, 11:30 AM

With Earth Day approaching, Sunday, April 19, it is an appropriate day to start a discussion on Faith and the Environment.  Each person has their own ideas on this topic based on their personal experience and values.  Most scientists, including my cousin who conducted research in the rain forest, are saying that it is becoming increasingly clear that the next generation will begin to bare the brunt of significant environmental degradation.

As you are aware, Tim During and others have begun to look at various possible actions the Church may want to consider including an energy audit.  This meeting  however, is not about tasks and assignments but rather provides an opportunity for us to share our feelings and concerns.  Having interviewed a number of you for Spire articles, I know that many have a special feeling for nature.

As a thought provoking lead into this discussion, take a look at the music video by Eric Whitacre “Fly to Paradise” at the link below.  I would love to know if it triggers any reactions and I will be happy to share mine at the meeting.

https://www.youtube.com/watch?v=Y8oDnUga0JU

If you cannot attend, please feel free to forward your ideas to me.  I will be working on an article and would like as much input as possible.  -Kathy Fink

Artists in Residence Program

A Gathering of Musical Power:
PACC’s Artists in Residence

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Artists in Residence: Andrea Hart, Jay Lane, Joanna Porackova, and Jeffrey Brody

(This article by Kathleen Fink appeared in the Arlington Advocate
in two parts in January and February 2015.)

Park Avenue Congregational Church (PACC) in Arlington Heights is blessed with four outstanding multi-talented Artists In Residence. They are being showcased in the PACC Concert Series this season, which provides the perfect excuse to tell you something about them. They have carved out fascinating careers well suited to their individual skills and interests while bringing great joy to their students and audiences.

PACC has been offering Arlington and surrounding communities a diverse range of top musical talent for 24 years with the help of PACC Concert Series producer Merrith Sabo-Jones and the PACC Concert Committee. For details on upcoming concerts featuring the Artists in Residence see www.pacc-ucc.org/events/concertseries, or call 781-643-8680.

 Jeffrey Brody

Besides his roles of Music Director and Organist at PACC, Jeffrey Brody is active as conductor and vocal coach including to Met-level opera stars who often seek him out for his expertise on Wagner’s music. He has also composed over 80 pieces including two operas. As Music Director of Longwood Opera, he conducts auditions, works with singers in rehearsals and then plays piano reductions of full orchestra scores at the company’s performances in Needham, MA.   Through his auspices, talented young singers gain performance experience while ticket costs are kept reasonable for the audience.

His passion for opera (and particularly Wagner) began in childhood. When he was studying pipe organ at Boston University, he happily volunteered to accompany voice students. His experience as a rehearsal pianist, audition accompanist and vocal coach as well as careful musical preparation allowed him to take advantage of fortuitous opportunities, so that he was able to dedicate his career to the music he loves.

Appointed to the musical staff of Seattle Opera in 1986, he has served as Assistant Conductor and Prompter for that company’s acclaimed summer production of Wagner’s Ring. He has also done musical preparation for the Opera Company of Boston and Boston Lyric Opera. As Music Advisor of the Boston Wagner Society, he selects repertoire and artists for their concerts and is a frequent contributor to their quarterly, Wagneriana.

He made his orchestral conducting debut with the Richmond Festival Orchestra in a 1995 program of original works and has guest conducted at the Harvard Musical Association Orchestra, among others.

His compositions, published exclusively by Ashbrook Music, include works for orchestra, chorus, chamber music and organ. They have been performed in the most prestigious venues on three continents, including Boston’s Symphony Hall, Washington’s National Cathedral, the Cathedral of St. John the Divine, the Vienna Konzerthaus, the Venetian festival “la città, la musica e il sacro”, the Temple of the Shinji Kai in Shiga, Japan, and on National Public Radio.

Recent major commissions include Beowulf, a Musical Legend for soloists, chorus and orchestra, written for performance in the Vienna Musikvereinsaal, as well as his second opera, The Picture of Dorian Gray, which opened Longwood Opera’s 25th Anniversary gala season in June 2011 with critical acclaim from the Boston Musical Intelligencer.

Mr. Brody enjoys a most distinctive artistic relationship with the Salem Philharmonic Orchestra, which has presented 20 of his original works and arrangements since 1999. Recent seasons brought performances under his baton of his Violin Concerto written for Maestro Alan Hawryluk, two Essays for Orchestra, and a highly-acclaimed Concerto for Flute and Orchestra.

The 2009-10 season included performances with the Arlington-Belmont Chamber Choir, the Parkway Concert Orchestra and the Harvard Summer Orchestra. The 2011-2012 season brought the premiere of Rhapsody on Armenian Themes for Piano and Orchestra. The 2012-2013 season brought the premieres of the Symphonic Suite from Dorian Gray with the Salem Philharmonic and the Paul Madore Chorale as well as a newly-commissioned work, Symphony in Three Movements, for the Seattle Chamber Orchestra conducted by Maestro Johan Louwersheimer.

A finalist in the 1999 European International Composers Competition, he has also received numerous ASCAP awards. Several of his commissioned choral and organ works are available on AFKA and SPC compact discs.

Mr. Brody is a member of the International Siegfried Wagner Society; the American Society of Composers, Authors and Publishers; the National Association of Teachers of Singing; the American Guild of Organists; and the Boston Singers Resource, for which he has served as audition adjudicator.

In honor of the many years of his artistic collaboration with the late Boston Symphony Orchestra organist, Berj Zamkochian, the Gomidas Organ Fund presented Mr. Brody with the baton used by Dr. Charles Munch, Music Director and Conductor of the Boston Symphony Orchestra from 1949-1962.

 Andrea Hart

Andrea Hart, Youth Music Director at PACC, has been active as performer, teacher, and director in various musical realms for over 25 years. She knew from an early age that she wanted to pursue music and studied both piano and flute through High School. During her major in music at Boston University, she found she was also drawn to the managerial and educational roles that are so necessary for music to thrive.

As Program Director of Creative Arts, a community school for the arts, Andrea was involved with activities that included program development, faculty hiring, fund raising, and budget management while also doing some teaching and performing. She later served as General Manager and Booking Representative for Libana, an internationally renowned ensemble performing and promoting women’s music from many cultures. Her logistical talents were put to good use planning Libana’s travels – with many fragile instruments in tow – all over the country and to many locations abroad.

Most recently, Andrea has been teaching piano and flute at the Cambridge Friends School and in her private studio, as well as serving as Youth Music Director at PACC.   She sees her role at PACC in broad terms bringing children and youth into the life of the Church through both instrumental and choral music, including directing an active Youth Choir. She seeks out and cultivates relationships with children and finds ways to get them performing and exploring from easily learned rounds to more challenging choral music, or for others, sharing their instrumental talents with the congregation.

For Andrea, one of the greatest gifts of music is the interpersonal and artistic connection. She enjoys forming relationships with people of all ages in order to help them appreciate the joy of making music to the greatest extent possible. She also finds musical performance builds their general confidence. She is the proud parent of two children who have, not surprisingly, developed their own great passion for music.

In addition to performing regularly in PACC concerts, Andrea’s career has also included performances and collaborations as pianist, flutist and chamber musician with several Boston area ensembles and with students and faculty at the New England Conservatory, Berklee College of Music, and Boston University. She has directed musical productions for area schools and churches, in addition to her music teaching at Cambridge Friends School. Creative Arts, and Shady Hill School. She has sung with the Boston Cecilia, the Longy Chamber Singers, the Mudville Madrigal Singers and as soloist for several Boston area church choirs. In addition to her Bachelor of Music from Boston University, she holds a Masters in Education from Harvard University.

 Jay Lane & Vox Lucens

A voice teacher, choral conductor and organist, Dr. Lane first studied the piano and double bass, then in college studied conducting and the pipe organ. Through his work as an accompanist and church organist, he became fascinated with the voice, and after obtaining a Doctorate in Musicology from Yale, he went on to study vocal technique at the McClosky Institute of Voice.

Presently, Lane teaches voice at PACC in Arlington, as well as Maynard, and Newburyport Massachusetts.  He enjoys working with students of all ages, but is particularly interested in improving aging voices and in helping those with vocal disorders. He explains that the core of the process in the McClosky Technique is one of getting rid of unneeded and counter-productive effort. Among other things, it is necessary to learn to relax the jaw and muscles surrounding the larynx, and to align the body for proper breath. Each singer is different and progress is normally a matter of gradual improvement. He finds the work rewarding, as each singer finds his or her unique sound.

An accomplished church musician, Jay has served as organist and choir director at First Baptist Church New Haven CT, the Episcopal Church at Yale, and Church of the Good Shepherd in Acton MA; presently he is the music director and organist at First Religious Society UU, Newburyport MA (www.frsuu.org), where he also directs the Candlelight Chorale, a community choir that performs major choral works.

As a choral conductor, Dr. Lane has directed numerous musical organizations, including the Wakefield Choral Society, the Yale Bach Society, and the Gilbert and Sullivan Societies of Yale and MIT. In 1999, after only a year of singing with a capella Renaissance chorale group, Vox Lucens, Dr. Lane was offered the Director position when the existing leader moved away. Other members of the group knew the repertoire, and Dr. Lane was experienced in the required tasks. He continues to greatly enjoy working with this community of advanced singers and has become quite knowledge about the music they sing. He has since released three recordings of 16th century polyphony with them, and together they have produced numerous concerts, both sacred and secular. Dr. Lane finds it most interesting to conduct while at the same time singing with the group, given that up to 12 independent musical lines can be in motion at one time.

Vox Lucens

Vox Lucens began in 1998 as a group of friends who got together to sing madrigals for the enjoyment of it. They eventually began giving concerts of their Renaissance music with its rich polyphonic structures and luminous sound. Vox Lucens rehearses at PACC as well as regularly performing there.

The singers work together to develop programs combining popular favorites with lesser-known works, often in their own editions. They approach the repertoire and rehearsals with a sense of fun, and in performance enjoy bringing out the dramatic aspects in the music, particularly in the secular repertoire. The choice of the name Vox Lucens, Latin for “a shining voice,” echoes not only the ensemble sound but also their goal to shed light on the wide variety of styles and textures of the Renaissance repertoire.

Upcoming concerts with Vox Lucens:

Sunday, May 31, 4:00
The Candlelight Chorale presents Haydn’s “Lord Nelson Mass” and Bach’s “Cantata no. 196” with professional instrumentalists and soloists.
First Religious Society UU
26 Pleasant Street, Newburyport, MA
$15 suggested donation

https://www.frsuu.org/candelight-chorale

Sunday, June 7, 4:00
Jay’s organ recital
Music by Bach, Elgar, Widor, Whitlock, and Franck
First Religious Society UU
26 Pleasant Street, Newburyport, MA

Free!

For information on the organ, visit https://www.frsuu.org/the-organ

Featured works: Franck, Chorale no. 1; Elgar, Sonata no. 1, 1st mvt.; Bach BWV 541

Saturday, June 13, 4:30
Vox Lucens presents “On the Edge of Baroque,” Renaissance music by youthful 17th-century masters Monteverdi, Schütz, Gesualdo and Sweelinck.  (Shorter program than May 17–under an hour.)
Boston Early Music Festival Fringe Series
Goethe Institute
170 Beacon Street, Boston, MA

Tickets $20/$15

Joanna Porackova

Although a renowned opera singer known for her versatile dramatic soprano voice, Joanna Porackova had no exposure to opera as a child and would have never dreamed that she would become an opera star. She sang in church including much Gregorian chant, but her dream was to become a violinist and she studied that instrument through High School.

She played violin in a folk music band, and in parades as a small child as well as teaching younger students.   She was Concert Mistress playing first violin in the high school orchestra as well as winning awards in competitions. She remembers with gratitude that her parents trusted her with an expensive bow.

Her passion for healing led Ms. Porackova to Boston to study pediatric nursing. She obtained an M.S. in Nursing, and worked in intensive care for many years as well as being a Professor of Nursing at Indiana and Boston Universities, and the Mass College of Pharmacy. She would always sing to babies in intensive care and to her special coma patients, and somehow found time to join the John Oliver Chorale. One of her medical colleagues told her that she had a world-class voice and that she needed to study with Iride Pilla, who was head of the Voice Department at Boston Conservatory at the time.

The year she taught nursing in Boston in the morning and then drove to New York to study with Michael Trimble was a very busy but fulfilling time in her life.   As she began to enter and win singing competitions, she eased out of nursing and studied singing abroad with the help of a scholarship.

She sang lead roles from the start of her opera career. She described singing opera as a spiritual experience and also a great responsibility to the composer, the music and the audience. Experience with the strong emotions involved with intensive care served her well in developing her dramatic opera characters.

She has been celebrated for her “soaring majesty” (Opera News) and “huge vocal and emotional range” in both the mezzo soprano and soprano dramatic repertoire.   The Boston Globe praised her as a “powerful soprano with a heartfelt, involving sense of the music’s inner drama” and the Boston Musical Intelligencer noted that her “warm smooth voice rang out over Wagner’s heavy orchestral texture…clearly at home in the role of Brünnhilde” and praised her for “using her impressive instrument to full dramatic effect” for the mezzo soprano solo in Verdi’s Requiem with the Masterworks Chorale.

The New York Times praised her for singing with “great fervor and skill” as Magda Sorel in The Consul directed by the composer, himself, Gian Carlo Menotti, at the Washington National Opera, and for “transmitting the character’s obsessive passion and warmth” as Senta at Katharina Wagner’s directorial debut of Der Fliegende Holländer in Würzburg Germany.

Joanna has been engaged with the Aix en Provence, Salzburg, and Opera North (Canada) Festivals, Paris Opera Bastille, Grand Theatre de Tours, Klagenfurt, Würzburg, Bern, Stralsund, Hong Kong, Boston Lyric, Opera Boston, Seattle, Connecticut, Anchorage, and Boston Bel Canto opera companies. She has performed the title roles of Norma, Tosca, Aida, Medea, Turandot, Dalila, Carmen, Salome, Isolde and La Wally as well as the Komponist, Amneris, Brünnhilde, Sieglinde, and Santuzza, to name a few.

In her teaching role, Ms. Porackova seeks a deep understanding of each student, their unique qualities and reactions. As both music and healing are part of her soul, it is not surprising that she teaches a healthy vocal technique emphasizing breathing, and release of tension. She sees value in studying old forms such as bel canto and she continues Michael Trimble’s practice having her students do vocal exercises while holding yoga positions.

Her professional relationship with Jeffrey Brody brought her to PACC where Ms. Porackova continues to perform on a regular basis in the Concert Series.  Mr. Brody’s highly respected skills at coaching opera singers on pronunciation and other aspects are much appreciated by Ms. Porackova who often sings Wagnerian roles. She uses PACC not only for her own vocal practice, but teaches there including several students from the PACC community. She welcomes new voice students at every level.

Reverend John Zehring

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Reverend John Zehring
Interim Sabbatical Minister

Reverend John published this message of welcome in the March 2015 edition of The Spire. 
Please read our own message of welcome to Reverend John in the same newsletter.

Shalowm is a Hebrew word. It serves as both a greeting and farewell, much as we might say Hi and Bye or Have a nice day. But Shalowm means much more. It is a wish on behalf of another, with a breadth of meanings. Shalowm means:

I wish for you peace.
I wish for you to be well.
I wish for you a friendly relationship between us.
I wish good things for you – good health, prosperity, peace, safety.
I wish for that which makes for your best welfare.

That is a lot bigger than wishing someone to have a nice day, isn’t it? It is like a blessing, asking God to bless the other. Shalowm sounds similar to the word for Christian love (agape): “I wish for you everything that makes for your highest good and best interest.”

Shalowm is my wish for you as I come to you as your Interim Pastor. I look forward with excitement to the adventure ahead of us as we grow in our faith, in our knowledge and love for God, and in our service and outreach to God’s children. Jesus said: I am the good shepherd. I know my own and my own know me.   I look forward with eagerness to the new bonds we will form as I come to know you, to serve you, and to care for you like a Shepherd cares for the flock entrusted to him. My Shalowm for you comes with joyful anticipation, enthusiasm, and the expectation that God will continue to act in the life of Park Avenue Congregational Church.

An in-between time like this can feel like living between trapezes. My conversations with the search committee, church leaders and staff have revealed a group of people who have weathered well and serve gallantly in a time of uncertainty. Uncertainty may lead to a feeling of anxiety. “Do not be anxious about tomorrow,” Jesus said, “for tomorrow will be anxious for itself.” We are people of the Resurrection, believing in hope in the unseen and affirming that the best is yet to come. And so, let us look ahead to the season before us with hopefulness, Lenten reflection, and a building up of our faith in God.

And now, a few practicalities: What to call me? I’d suggest Rev. John rather than Pastor John, for Bill is your Pastor, on sabbatical. When to call me? Feel welcome to call me on my cell phone or send me email.

  • You are never an interruption. I am here to serve you. Never feel like your call is a bother.
  • I check messages. If I do not answer, leave a message.
  • If you are going into the hospital, call me or have someone else call me. The hospital does not. I cannot know unless you tell me.
  • I pray. If you would like me to pray for you or for someone you love, let me know. At any time of crisis or difficulty, keep me in the loop.
  • I love ideas. Did you visit a church and see something you like? Tell me about it or give me their bulletin. Have you been thinking about an idea but do not know who to tell? Share it with me.
  • I listen. And talk. If you would like to come to the office for a conversation, contact me by phone or email and we will set up a time. Tell me if you would prefer to talk right away or if it can wait for few days. I make my own appointments.
  • I do lunch. I enjoy going to lunch with members of the church. Feel welcome to invite me out. Favorite foods: Chinese, Thai, anything else.
  • Please remember to greet me every time by saying “Hi, my name is…” That is not a bad way to greet everyone. Who wants to confess that they cannot remember a name?
  • You have retained me part-time. I need to sense the congregation’s need, so cannot say yet which times I will be in the office. I’m guessing I will be at church Sunday (and will make visits or office appointments in the afternoon), Monday, and Wednesday. Tuesday I will work at home on the worship service, emails, administration and communication. But, that might change depending on the congregation’s need.

It is my pleasure, my calling and my honor to help Park Street Congregational Church in its time of need and to be a support for my clergy colleague Bill while he is on sabbatical. I love being a pastor and for a season or so, I will love being yours.

In faith, John Zehring

 Information about John Zehring

John Zehring has served United Church of Christ congregations for twenty-one years as Senior Pastor in Massachusetts (Andover, South Church), Rhode Island (Kingston), and Maine (Augusta). Prior to parish ministry, he served in higher education for more than two decades, primarily in development and institutional advancement, as a dean and as a vice president at a seminary and at a college.

He is the author of nineteen books or eBooks (see his web site for more information). Recent eBooks include:

  • Psalm 23: An Everyday Psalm
  • What the Bible Says About Homosexuality: A Bible Study for Progressive People of Faith.
  • Treasures from Philippi: GEMS for You from the Epistle to the Philippians.
  • Clergy Guide to Making Visits
  • Public Speaking for Executives, Leaders & Managers
  • Did He Hit Her? A Compassionate Christian Response to Abusive Relationships
  • For People of Faith, Torture is Always Wrong

His current project underway is a book for Judson Press titled Beyond Stewardship: Church Leaders Guide to Successful Annual Giving Campaigns. Earlier print books include You Can Run a Capital Campaign (Abingdon Press) and Working Smart: a Guide for New Managers (Garrett Park Press). His articles have also been published in more than 200 magazines and journals.

John holds graduate degrees from Princeton Theological Seminary, Rider University, and the Earlham School of Religion. John is married to his high school sweetheart Donna and they have two children and five grandchildren. He lives in two places, in central Massachusetts and summers by the sea in Maine. He enjoys kayaking, snowshoeing, skiing (a perpetually advanced beginner), working with tools (claims to be the Molding King), chocolate, reading by the fire, writing books, travel, being with his grandchildren, and enjoying the fullness of life with his wife.